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This would have been my third consecutive year participating in the YEG Artwalk as an artist. It is a terrifying, interesting and rewarding experience to display your work to the world…in PEOPLE!
Like many anti-social/socially awkward creatives, myself included, events like this can be very daunting and difficult. You are literally putting your creative expression out there for people to see, judge, purchase, compliment or straight up trash talk – except this time it’s in person and not so easy to block trolls – but hey, what doesn’t kill you makes you stronger…right? I see situations like this worth all the horrible anxiety ridden feelings it gives me, only because I know it’s all apart of my personal growth and learning experiences…at least thats what I keep telling myself in hopes those feelings will eventually disappear.
Now don’t get me wrong, these jittery feelings of anxiety and judgment are not the reason I have chosen to opt our of the 2019 YEG Artwalk.
A lot has happened over the last little while, if you follow my instagram you would have seen a glimpse of all the things; though lately, I’ve been a little MIA there as well – life’s been busy, but in a good way.
I guess the short of it is *takes deep breath*:
With all this going on, it feels like there is not enough time to experiment with painting and other creative outlets. Not being able to create, let alone prepare for Artwalk, has left me a bit tired and unmotivated. Plus, it wouldn’t be fair to potential patrons (or myself) to try and slap a booth together – I aint about that half-assery!
For now I shall push on, re-evaluate how/if I will be able to continue to do all things and prioritize what is important to me and where to invest my time…once the summer is over…or once we have our house in order…whatever comes first, that’s when I’ll do the thing – I swear!
So there you have it, I am officially opting out of the yeg artwalk this year – life is just too busy at the moment. That said, ideas have been marinating in my brain meat for a while now, and I am excited to create a “plan of attack” for next year! *is determined*
Thanks for reading 🙂
That’s right, Inktober is back baby! …okay we are at about the halfway point, but I am still excited about it!
4 years straight of participating and looking forward to it every minuite of it! Inktober is an amazing creative crunch time without the pressure of feeling like all your pieces have to be perfect – being a perfectionsit, leanring to embrace the “finished not perdfect” philosophy (also advised from Jake Parker, the creator of this amazing challange) – is very liberating, giving yourself the freedom to create without the stress and with no alternative motive in mind.
If you find yourself to be a perfectionsit, I strongly suggest challanging yourself in two ways:
1. create some amazing work for fun
2. welcome the freedom it has to offer, you will be happy you did!
Start letting go of perfection and gradually embrace the progression, not only of your mad inking skills, but of building healthier work habbits that allow you to put less pressure on your self – releasing the string of tension that perfection holds around your brain – all in just 31 days!
Follow me on instagram to stay up to date on my inktober progress: @noelle_fontaine
Here are the Inktober prompts for 2018:
Visit inktober.com for more details about this great challenge.
It is never too late to start challenging yourself, jump in half way through, see if you can catch up and do your best to participate for the rest of the month!
Thanks for reading 🙂
Another @yegartwalk in the books, 2nd year in a row 😊 thank you to everyone that came out to support me and the other artists this year! #yegartwalk #yegartwalk2018 #artwalk #artist #supportlocal #thankyou #thanksforthesupport #thanksforcoming
Soooo stoked to start Inktober for my 3rd year in a row!!
Last year I decided to do a horror theme, this made planning and illustrating much easier! This year’s theme is going to be *insert drum roll here* Super Heros!!
My focus this inktober is to work on figure drawing with these dynamic characters. This is also the first time I am using the inktober prompt list.
I am super (no pun intended) excited and will be posting them here and to all my social media pages, so be sure to follow me on instagram or twitter for live updates!
More about this awesome challenge can be found here: Inktober – Where it began
Click here to view my Inktober 2017 results.
Thanks for reading 🙂
Taking what watercolour pencils taught me (previous post) not only made me more comfortable but gave me the trial and error I needed without as much frustration to go back to using official watercolour paints.
The first time I used watercolour paints (excluding those sets you get when your a kid) was in university for an illustration course, where we were assigned 1 landscape watercolour project – it felt like the hardest project I have ever had to do – landscapes are a bit challenging on their own, but throwing watercolours into the mix made it exponentially more difficult. My professor was a bit surprised as I really enjoyed doing washes with ink, acrylic and gouache but found watercolours a completely different beast to tame! So after all the practice with the watercolour pencils I have decided to “graduate” myself to using “official” watercolour paints and the first piece done using the medium in almost 5 years!
The subject chosen for my first “official” watercolour illustration/painting was inspired by a blogger/photographer I follow on Instagram: @bumblebria (check her out!)
The lighting, composition and colours of this lemon lavender loaf caught my eye, encouraging me to recreate a version in “official” watercolours. I took a screenshot for reference, and to note the photographer’s handle so I could tag them when posting my WIP (work in progress) and final outcome online.
I started with a light pencil outline, using a mechanical pencil and Fabriano Studio Watercolour Paper.
The sketch actually sat in my sketchbook for a little while, I decided to watch a couple watercolour tutorials online for different techniques and tricks before painting; really enjoying the image I did not want to mess this piece up, even though it is more for practice to grow my skillset; that said, I am a perfectionist and am trying to embrace the imperfections of art as it makes things more organic and interesting…not to mention a lot less stressful and more fun!
A couple of days before starting he painting process of this piece, my boyfriend actually bought me some new watercolours (not knowing I have a little stash as he has never seen me use “official” watercolours before lol) and some water-brushes for us to try out. I bought a water-brush a couples years back but was not a hundred percent sure how to use it and was afraid to wreck it; a silly thought as this is what they are made for, but again the perfectionist and fear of messing up took over so I never actually used it (more to come on this topic in a later post). These water brushes are a but of a game changer!
I was excited to try “official” watercolours again already and the new brushes made me even more enthusiastic to “graduate” myself to the next level of watercolours lol
The level of control with the water-brush made my experience more relaxing and fun – I was not worried about using too much water or accidentally dripping water or pigment somewhere else on the page when filling the brush with more paint. I would highly recommend getting one of these and trying them out, they are pretty inexpensive (depending on where you go).
I thought I was done the piece when I recorded this video removing the tape, but something just wasn’t right and I HATED the dark background – I wanted it to feel more like a marble finish but was not able to create the perfect cream colours, so I tried to use some blue tones – clearly I had a brain fart – there is already blue in the cloth that the background then blended them together; so in a dire attempt to fix the background, I attempted to make it look more like the cracked concrete in the original photo…I was not happy with this and even debated on making a new background and just cutting the old one out and pasting a new one in.
Looking at the piece a couple days later, it began to grow on me, but something still was missing. Taking a black studio gel pen, I outlined the edge of the cloth that meets the background – looked like I was onto something – then went over this with some black watercolour to make a shadow that created more contrast. Later, I used the same gel pen to add some subtle outlines to other areas to really pull it all together as a finished piece.
Not going to lie, I am still not 100% happy with the final outcome but am glad it turned out much better than expected using “official” watercolours. I am trying to not be so hard on myself and embracing imperfections, especially on pieces like this where my intention is to better learn the medium and just have fun experimenting.
Please let me know what you think and about your watercolour experiences/preferences.
Don’t forget to follow my on Instagram and/or Twitter for live updates.
Thanks for reading 🙂
I made an abstract post a while back called Playing with Pastels that had close ups of this piece as a work in progress…though the piece was finished quite a while ago I did not post the final outcome because I wanted to have it professionally framed – fun fact, this is the first piece I have ever gotten professionally framed!
This started off as a quick pencil sketch I did at the end of inktober 2015 (this was the first inktober that I participated in, more about that here).
Inspired by a piece I did about 2 years ago, where I wanted to experiment with a couple of black canvases I picked up from Michael’s and my tinted charcoals (more about this piece here) where I took my #31 inktober 2015 piece as inspiration to build upon.
Using my small sketch for reference, I penciled an outline on a black 18″x24″ canvas, then applied layers and layers of pastel, pencil crayons & charcoal; constantly switching between the three mediums until I was sure the piece was complete.
Due to the dusty nature of chalk pastels, I started at the centre of the subject and worked my way out, saving the background for last; not wanting to risk smudging any loose pigment onto the black surface.
This sat around in my studio for months, I was afraid to transport it anywhere!
Now I know what you are thinking “isn’t there a protective spray you can use to prevent smudging?” believe me, I tried it! The drawback of the protective spray was that it was not 100% protected – chalk pastels being more loose than graphite there is also risk of some loose pigment being scattered among the work – plus it dulled the colours, so I needed to go over the piece again with the pastels to revive this lost vibrance.
When it came time for framing I carefully wrapped the piece in brown packing paper. I am very proud of this piece and due to the risk of smudging I was pretty leery to leave it in the hands of strangers. Not sure if there were any good framers in the area, I decided to go to our local Michael’s, where they made a special note to be vary careful with the piece as it is prone to smudging; needless to say the staff there did a fantastic job and were very gentle with the piece 🙂
I couldn’t believe how many different combinations and choices there are for frames & matting; in fact, we probably spent about an hour looking at different matting choices!
For me the frame was simple, I wanted something a bit more modern and black – fortunately they had a 40% deal when I went in (framing this 18″x24″ beast was just under $500 CND and would of been over $700 CND without the deal…highway robbery if you ask me lol but they need to run their business too lol). The matting on the other hand is what took the most time, is was very interesting to see how different combinations looked with the piece and how it could go from a strong masculine piece to a dainty feminine piece in a flash! Personally, I prefer a more masculine, modern look (makes sense with what I have learned about my work during my first Artwalk haha). So I chose a black frame with charcoal grey, pomegranate red wine and black matting – I really wanted to have the red wine accent colours pop – some of the other matting was either just not the right colour combinations or were too much like the dominant colours that the piece felt pale and blended with the matting.
I also asked if I could write the name of the piece & sign the matting – since this was my first original being framed I thought it would be a nice touch – and the staff were more than happy to oblige. When the matting arrived, they called me and I went in (bought a couple of jelly roll white pens) and decided upon the name “Buffalo Dreams” and signed the matting.
Buffalo Dreams seemed like a perfect fit for the piece, making it whimsical and spiritual. Growing up my mother had a huge dreamcatcher – made of red wood with purple crystals, black leather ties and feathers – when we had nightmares my mom would either put the dreamcatcher in our rooms for the night or longer if need be (probably to keep us in our own beds to get some proper rest, smart lady!). That was until she got us our own small dreamcatchers. She would tell us that they are made special to protect us in our sleep; if you have a nightmare it cannot hurt you as the dream catcher acts like a spider web, catching all the negative dreams, spirits and thoughts to purify or trap them in the crystals so you can sleep safe and sound.
If you have a piece that is special to you or are very proud of go ahead and spoil yourself a bit and get it framed! I find frames (even cheaper ones from department stores) really make a piece look polished and complete.
Prints and other swag available in my Redbubble shop of this piece (more about my shop can be found in an earlier post here Redbubble shop). If you are interested in purchasing the original please contact me and I can let you know the price and we can work out shipping/pick up arrangements.
Remember to follow me on Instagram & Twitter @noelle_fontainec to see what kind of creative mischief I have gotten myself into.
Thank you for reading 🙂
This illustration came about while on a family camping trip, near crows nest pass. I was sitting at our picnic table with my watercolour pencils & paper (more on materials here), when I noticed one of my watercolour illustrations was tucked between some of the blank pages; my geometric buffalo illustration.
The combination of finding this lost illustration with being surrounded by beautiful trees & mountains inspired me to create a similar piece with a woodland creature – bears in particular – these beautiful, gentle, yet fierce animals who rule the mountain side.
Wanting to make the new illustration more powerful in colour & shapes, I planned the geometric designs/patterns out in pencil before outlining in ink (instead of inking on the fly like the buffalo), which made the inking process quicker & colour choices a bit easier; allowing me to play with different shades of colour opposed to the inking to give the piece more dimension.
Overall, this illustration is much more solid & put together compared to the buffalo. I am very pleased with the final outcome & have received a lot of positive feedback at artwalk & online.
This illustration is also available in my Redbubble shop as prints, appareal, gifts & more! Check it out here: Noelle Fontaine’s Redbubble Shop
Please let me know what you think of this piece & which you prefer – the Bear or the Buffalo.
And don’t forget to follow me on Instagram or Twitter for the most up to date info on new creations & promotions!
Thanks for reading 🙂
This year was the first year I participated in Inktober (LINK) and am very proud of myself for competing the challenge; I was talking to my friend about how exciting it was for me to start, participate and complete and while she was on her Tumblr she saw a post about Huevember!
This is another challenge similar to Inktober but with Hues: 30 hue pieces in 30 days, you can add other colours as long as that hue of the day is the focal point.
This image is what she sent me:
I was very excited to hear about this challenge as well, this is something that would be more challenging for me as I feel like colour theory is a department I should work on to improve. I do not think I will participate in this challenge this year but will next year…or later in the year as another month’s project 😛 we will see how she goes. I have some plans to make some creative pieces to sell for the Holiday Season this year and need to focus on these ideas before taking on another challenge, more on this to come later this month.
If you choose to participate in Huevember post it on your social and tag me, I would love to see what you come up with for this challenge!
Instagram & Twitter: @noelle_fontaine
Thank you for reading 🙂
This year, on top of my side project (airbrush tattoos & face painting) and making my niece & nephew’s Halloween costumes, I made the commitment to participate in INKTOBER!!
I heard about this last year through some friends, I saw they were posting numbered ink illustrations almost everyday, I thought “WOW! they have been doing a lot of ink in a short amount of time, whats motivating them? and what is up with the numbers?!” so I asked them and they told me about Inktober.
Inktober was started from an illustrator named Jake Parker, who’s work is amazing! Mr. Jake Parker wanted to work on his inking skills and build good drawing habits, thus creating a challenge for himself to stay motivated while practicing. What started out as a personal challenge is now practiced by many illustrators and artists around the world.
The challenge is to create 31 ink based illustrations, sketches or drawings in 31 days; now one can draw 1 drawing each day or as many as you like in a day as long as the end result is 31 inked pieces (pencil underdrawings are okay too) and having a fun time challenging yourself while practicing your inking skills.
Use any style of ink: Felt, Pen or Brush & Ink, Ballpoint, Ink Wash; you can also take go further by combining your ink illustrations with other mediums: Pencil Crayon, Water Colours, Paint, Digital and more!
The point it to challenge yourself and practice, but having fun doing it!
Find out more about Inktober at the creators site here: INKTOBER
Last year it was a bit too late for me to participate, so I made sure I made a note to give this challenge a try for the coming year!
I have completed the challenge and can honestly say I loved it! It has challenged me to make time to sit down and draw; something I was planning on trying to do myself, but to no avail started even though I purchased a small moleskin sketchbook in attempts to create an initiative to start, but it was not really until this challenge have I really made the time to do so; i also made a good dent in the number of pages filled in this book.
Inktober inspired me to practice creative thinking and inking skills, challenging to adopt the discipline of making time to sketch at least 1 thing (big or small) each day to improve my skills.
It is a fun challenge your can share with your friends and family or other creatives on any social platform your can post images to; search and tag your work #inktober to see who else is participating and what they were inspired to create.
You can follow me on Instagram @noelle_fontaine or any of my other social media platforms to see what other illustrations or designs come up next.
Let me know your thoughts, favourites and critiques.
Thank you for reading and have fun inking! 🙂